Watching the opening episodes of Thai drama, Ticket to Heaven (Viki), I thought, wow, this might be one of the best bls of 2026. The show’s story, performances, cinematography and score were all stunning.
Impressively, Ticket to Heaven’s first three episodes (out of six) also appeared willing to explore the conflict between undeniable physical attraction and the constraints and expectations of organised religion.
Set in a Thai seminary, the story follows Tanrak ("Fourth" Nattawat Jirochtikul) after he meets Barth ("Gemini" Norawit Titicharoenrak). Their growing friendship forces Tanrak to confront what he really desires and what that means for his future – a future forged from the trauma of his past.
Tanrak’s anguish is beautifully shot and breathtakingly portrayed by Fourth. Gemini’s performance is similarly mesmerising. I defy anyone to be unmoved by their fear that they are no longer “God’s favourite son”.
Barth is less conflicted than Tanrak and is steadfast in his feelings. Nevertheless, he understands Tanrak’s inner struggle and treats him with sensitivity. This feels pretty refreshing in the context of my recently watched bls (looking at you Double Helix).
Their connection feels authentic (chemistry, chemistry, chemistry) and is beautifully developed. The drama very deliberately invests time in their relationship – taking it beyond the physical and emphasising their strong emotional bond. The show seems to ask its audience: how could this love every be judged as wrong?
Ticket to Heaven’s second half, while heartfelt, felt less powerful. The story hints at themes of faith and organised religion, love and acceptance rather than exploring them in real depth. A lot is left unsaid and questions are left unanswered. The story’s conclusion, while not unsatisfying, feels a little too safe.
However, sometimes a lightness of touch is needed to start conversations and avoid alienating certain audiences. Ticket to Heaven understands that setting its love story in a seminary could prove divisive.
The show’s opening disclaimer states that: “This series is a work of fiction inspired by questions that arise within the human heart. It is not intended to offend or pass judgement on any beliefs, religions or individuals”.
There are times, of course, when it is necessary for a creative work to pass judgement despite the risk of causing offence. There are also times, as is I think the case here, when a work can be less confrontational and just as powerful and thought provoking.
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